The fighters have been a focal point of admiration for every generation, in their lives and deaths. Their qualities were focused on a single character who was exemplary to the public and the savior, and received a mythical character. A particularly revered hero is a super-omnipotent superhero with superhuman powers. The superheroes have undergone a transformation process throughout history, created because they belonged to the popular culture of their time, which had a characteristic emphasis, and used the technological means at its disposal. The characters of ancient superheroes, from the Bible and Greek mythology, became knights on horses in medieval societies. The early heroes of the early twentieth century were aviation pioneers and fighter pilots. Superheroes in the colorful comic booklets were very popular in the United States during the interwar period. After World War II, with the development of space flights, and at the same time as television viewing, the superheroes were identified with the first spacecraft pilots, such as Gagarin and Armstrong. In the early 2000s, the superheroes underwent another transformation, with the development of computing technologies, and now appear mainly in Marvel films. As reality became more complex, the need for archetypes became more important. Cinema, as a multidisciplinary and multidimensional medium, is a place where most of the myth appears, as both cinema and myth appeal to as broad a common denominator as possible.
The periodic transition between different types of characters is not sharp, and there is an overlap between them, as well as sub-genres that are characteristic of the interim periods and situations where no clear superhero characterization has taken place, or when a different characterization is needed. For example, in the 1930s, dictatorial political leaders, such as Hitler and Stalin, enjoyed a superhero image. Following the political crises in the 1960s in the United States, during and after the Vietnam War, superheroes such as Rambo, who were more human and represented personal and social protest, appeared on the movie screen. At the other end of the arc of superheroes are the simple real men who survived unbelievable hardships, led by Holocaust survivors. The survival motif is central to popular culture, but only dozens of films have been made about real survival journeys, as opposed to the countless works of fiction. Much research has been done on Holocaust survivors, but their image has not yet been created as superheroes. Their personal stories blended into the overall myth of Holocaust and Revival of Israel.
The "Star Wars" film series is based on the pattern of superheroes in the stories of mythology, as developed by Professor Campbell, the renowned expert on myth theory. "Star Wars" may be his most well-known legacy left behind. Within this film series, nine sequels have emerged, which are the canon of the series as a feature epic. The first movie in the series came out in 1977, and the last one in the end of 2019. It's about 40 years, then. The series gained unprecedented popularity. It was defined as redefining cinema, as it created an imaginary universe full of details. It has acquired millions of fans on the level of religious believers, and is recognized in almost every home across the globe. Some claim it have changed the world. It is an escapist replacement for the complexity of the race to space, which is one of the characteristics of modern life and central in every country.
The nine-movie canon consists of three trilogies, which represent the parts of the human soul and its evolution, according to Id, Ego, Super Ego. The Disney-owned franchise company also develops it through spin-off films, unique complexes at Disneyworld sites, and as a merchandise that includes computer games, books, comic books, clothing and toys. In this way, the brand reaches every soul in the way that is most appropriate, according to the latest branding and marketing approaches.
Professor Joseph Campbell has been a major source of inspiration for the series creator, George Lucas, and they also formed a personal friendship. Campbell's main book is "The Hero with Thousand Faces ." This book presents the defining characteristics of the superhero figure, who are kept behind many embodiments in different cultures and eras. The Star Wars movie series is entirely based on this theory. The films include a gallery of typical archetypal mythological characters, such as the superhero character, the mentor, the distressed maid, the trickster, the evil hero, the omnipotent magician, and the like. At the same time, the superhero in the series is going on a journey, known in terminology as "The Hero's Journey". This journey includes many stages of development, which are well characterized by the stories of superheroes of all cultures.
Because in much of the twentieth century, the superhero character was identified with pioneer pilots of airplanes and spaceships, two of the star heroes of "Star Wars," Han Solo; the trickster who is Luke Skywalker's faithful friend, and his son Ben, who became an evil hero by the name of Kylo Ran and the successor of Darth and Wader, are of central importance. The importance of the transformations undergone by Han and Ben Solo is also linked to the importance of the dream of flying to the development of the soul. Aviation ability has been identified, from the dawn of humanity, as a characteristic of gods. Han's "Millenium Falcon" spacecraft is the fastest in the galaxy, and it is the object most identified with the series, with the exception of Luke Skywalker's Light Sword. Harrison Ford, who plays Han Solo in the series, is a superstar of Hollywood, and portrayed another superhero character created by George Lucas, Indiana Jones.
Filmmaker Hans Bertram created several aviation films in Nazi Germany. During World War I, some of the most successful fighter pilots were soon promoted to become communicated icons of valor, warriors who donned the national spirit of the war. This was particularly evident in Germany, in the form of the Flying Circus pilots and their commander Richthofen. They became national icons, with a prominent presence in film and print, and in all circles of society. Between the two world wars, aviation films were constantly reinforced, helping to shape contemporary thinking about aviation development. Aviation achievements envisioned a new, stronger and more disciplined German Reich capable of dealing with multiple industrial claims and joining the twentieth-century imperial competition. The memory of World War I was built through the myth of the war experience, which legitimized it by changing the real-life picture. The main image engraved in the collective memory of this war, to this day, is that of the gallant fighter pilot. The distinct symbol of totalitarian and mythical modernism in Nazi Germany was the airplane. Not the airplane per se, but its connections, not the pilot per se but the concepts it entails, were the focus of attention. They served as a means of liberating revolutionary burdens of the past.
In Nazi Germany, the superheroes of American comic booklets were not popular, nor were other superheroes of this style. The Nazis saw themselves as a supreme race, according to the "Superman" model designed by Nietzsche, their official philosopher. The popular superheroes were characters from German folklore and history, such as in Richard Wagner's operas, and from the aviation world, whose heroes were considered to embody the "Suprmman". Bertram was among them. He was part of the famous Pilots Gallery, with Charles Lindberg at the top, who became superheroes in the world media. In 1927, Lindberg crossed the Atlantic alone by airplane. On his return he was honored as king, and millions came to a parade in his honor in New York.
In May 1932 Hans Bertram set out with a friend from Germany to a flight around the world. They had a forced landing in a desert in Australia, and undergone a two-month survival journey, with extensive media coverage on the search for them. He returned to Germany in April 1933, after a year of great upheaval in Germany as well, during which the Nazis came to power. He wrote his story in a book, which became a bestseller with seven million copies in Nazi Germany. He then moved on to writing screenplays and directing films. The story of his survival journey in Australia overlaps with the mythical ''Hero Journey'' that NAzi Germany needed at that time. This is in light of its plot, its exposure in the media, and its connection to the motifs of ''survival'' "superman" adopted by the Nazi regime. Bertram is probably the only pilot in Nazi Germany to have completed a "Hero's Journey," and who has written a non war-propaganda book on the subject. His most famous film is "The Baptism of Fire," a full-length documentary from 1940 about the campaign in Poland, which was characterized by devastating German bombings from the air.
The images of aviation and pilots on television and cinema in the State of Israel involve the military dependence on the air force, which created here the myth of the "best air force in the world". This myth is also rooted in Israel's relations with the United States, which include American popular culture. Therefore, it is interesting to see how major television events, such as the first flight to the moon or the crash of the Columbia Space Shuttle, and ''Star War'' movies, have affected Israeli society. At the same time, it is interesting to review the films that deal with the Israeli Air Force and their impact.
Air transport has become central today. The issue is complicated, in part because, unlike maritime and land transportation, which are the cradle of civilization, aviation is a new dimension. Important, capital-intensive development projects in aviation may shape the fate of a nation. But they are largely startups, which have a very high percentage of failure. Two examples of this are the attempt to land the Israeli spacecraft "Genesis" on the moon, and the development of the "Lavi" aircraft.
The need for heroes in the aviation field is motivated, besides the race for space and the race to develop new aircraft, also by the need to develop the infrastructure of airports, which have become civilization centers due to the airports cities around them. The airports of cities have replaced the maritime port cities, which until recently were the centers of the human race.The "Terminal" theme is well-developed in the Star Wars series. Its many forms, together with the gallery of figures appearing in it, present an alternative order to the constant chaos experienced by passengers today. This chaos, resulting from the routine of the experience, runs counter to the flight aura that existed until World War II.
Another important connection between superhero films and modern-day reality is that these films, in many cases, show sections of a world on the verge of destruction, usually as a result of the invention of new weapons by the forces of evil. The Holocaust worldview in these films overlaps with the Jewish Holocaust survivors worldview, whose world was also destroyed. The good ending in these films, when usually the good people beat the bad guys, is a therapeutic move. The general destruction worldview is also close to everyday reality, as politicians regularly warn of a disaster that could result from enemy attacks, usually from the air. That is why every citizen takes to himself the images of the imminent destruction, as seen in the superhero films, for the promotion of his personal affairs. Those who have experienced the devastation to the truth, such as the Holocaust survivors, are usually left behind in the race to fulfill their dreams.
The main negative aspect of the development of air power is the many wars that have been decided by it, such as the Vietnam War and the Yom Kippur War. In addition, airborne terrorism has become an integral part of daily life. Its climax was in the attack on the Twin Towers in New York in September 2001. We are witnessing it today in cyber threats, the incessant rocket launches toward Israel, and the passengers and baggage checks before flights. Serious aerial accidents are an integral part of reality, from the era of early aviation to the present.
Another important connection between superhero films and modern-day reality is that these films, in many cases, show sections of a world on the verge of destruction, usually as a result of the invention of new weapons by the forces of evil. The Holocaust worldview in these films overlaps with the Jewish Holocaust survivors worldview, whose world was also destroyed. The good ending in these films, when usually the good people beat the bad guys, is a therapeutic move. The general destruction worldview is also close to everyday reality, as politicians regularly warn of a disaster that could result from enemy attacks, usually from the air. That is why every citizen takes to himself the images of the imminent destruction, as seen in the superhero films, for the promotion of his personal affairs. Those who have experienced the devastation to the truth, such as the Holocaust survivors, are usually left behind in the race to fulfill their dreams.
The main negative aspect of the development of air power is the many wars that have been decided by it, such as the Vietnam War and the Yom Kippur War. In addition, airborne terrorism has become an integral part of daily life. Its climax was in the attack on the Twin Towers in New York in September 2001. We are witnessing it today in cyber threats, the incessant rocket launches toward Israel, and the passengers and baggage checks before flights. Serious aerial accidents are an integral part of reality, from the era of early aviation to the present.
One of the results of the importance of aviation to human existence in all strata is that the discourse on aviation has become an unconscious part of everyday discourse and is difficult to isolate. Therefore, it is important to see if the awareness to the issue in Israel does not diminish the understanding of the relationship between the Holocaust and aviation. This connection was expressed by the fact that senior Nazi pilots, who were crowned superheroes, played a major part in the final solution planning. A multifaceted aviation culture is evolving nowadays, in the face of the reality imposed on us like a mountain. The Star Wars series does not provide a complete set of tools for understanding the world of flying and aviation, but the complexity it presents is certainly a progression, as opposed to the stalwart approach to the topic so far in popular culture.
