Like every revolution in transportation that preceded it, from the wheel to the steam locomotive, the airplane gave those who controlled it the tool to conquer the world. But unlike land and sea, which are the cradle of human activity, air is a whole new field of action and life. Mankind lacks the cultural background to relate to the imaginary flight, central to the development of the mind, in the context of practical aviation activities.
The impact of aviation on human existence is intense, but the dialectic between spiritual flight of the soul and physical flight in aircraft is vague and destructive. The problematic connection between flight and aviation is very noticeable against the background of the Nazis' efforts to become world rulers while accelerating the development of aviation.
The famous French philosopher Gaston Bechelard [1884-1962], in his book "Air and Dreams" [1942], described the world of philosophical and psychological concepts of the experience of flight. This is done using the tools for imagination research that he developed and especially the concept of 'dynamic imagination', a concept that is valuable to anyone interested in developing his creative abilities.
According to Bechelard, the imagination is created through some movement. The human desire is to fit into the movement and the thought is to find a way how to do it in practice. A philosopher who seeks to understand man must concentrate on the study of poets.
Bechelard pointed out the benefits of imagination as a result of union with a particular substance. A material element is a good conductor by nature, which gives continuity to the imagining soul. The world of phenomena thus offers lessons in change and preliminary movement. An object is not real, but is a good conductor of what is real. The practical end required by the organism due to the urgent need for immediate needs, also corresponds to the end of poems that take place in the body as a potential.
Every element that the physical imagination enthusiastically adopts prepares a special purification, a characteristic transcendence. Aerial purification is of the purest type. It carries on with a light dialectical refinement. The flying creature appears to be moving beyond the exact atmosphere in which it is flying. There is always room for further transcendence and the absolute is the final stage of the consciousness of freedom created in this way. The title most linked to the word ''air'' is ''free''. Natural air is free air.
The aerial phenomena are those whose stages are the most obvious and regular. They give us very important guidelines for the psychological sensations of: erection, rise, growth, ascent, flight and purification. These feelings are the basic principles of psychology that can be called: Flight Psychology.
At the heart of every mental phenomenon is a true sense of verticality. This verticality is not an empty rhetoric. It is a principle of order, a scale along which a person can experience the different degrees of his emotions. The life of the soul, all the delicate and latent emotions, the hopes and fears, the moral forces involved in our future, have a vertical differential, in the full geometric meaning of the word. Particularly prominent are the images and thoughts involved in the basic values of the mind: freedom, gaiety, lightness.
Elevation, depth, rise, fall and the like, are axiomatic metaphors par excellance. Nothing explains them and they explain everything. In simpler language, if a person is interested in living them, feeling them and above all comparing them to the reality of his life, he understands that they are both of primary quality and most natural. It is impossible to express moral values without reference to the vertical axis. Every nerve that shapes the body transmits verticality. The imaginary air is a mental growth hormone for man.
Because the aerial imagination affects the whole entity, then after we have reached with the help of the air so far and high, we will surely find ourselves in a state of open imagination.
Images of freedom present a problem if their various stages have not been tried one by one, and the same difficulty arises with truths delivered with the free air, or the liberating air movement. In the infinite air dimensions are erased and we come into contact with a dimensionless matter that gives us a sense of complete inner purification.
Having arrived with the help of the air so far and high, the mind is carried on uncontrollably. Eager to try the reality of the upper air, the imagination as a whole will double any impression by adding a new image to it.
In this transformation, the imagination expresses one of its ambiguous flowers, which obscures the colors of good and evil and violates the most stable laws governed by the values of humanity. The end result of this longing may be moral ambiguity.
Things are indeed growing. The tendendcy of energies, in imagination and in reality, is to progress too far. The reveries of the desire for power are the reveries of the desire to be omnipotent. Superman has no equal opponents. He is doomed, with no ability to return, to a full-fledged existence in the pantheon of legendary heroes, though he may never admit it, even to himself. It is an internal hygiene, almost as practical as the external hygiene.
Man-made aerial objects and especially airplanes, have too much attractive presence to be simply integrated into the human needs hierarchy. The airplane is easily humanized, a characteristic which is one of the most prevalent phenomena in human culture. The airplane is very similar to a bird, an angel, man spreading his hands, or flying scales. It resemble the Christian religous cross. The Nazi armament with airplanes was also an opportunity for them to appear more human and not just technologically advanced.
Images that seem meaningless have all the benefits to the life of the soul when their origins are revealed, beside in abstract concepts or material objects, also in the ancient legends. Folklore blends well with the images of flight. Moreover, important terrestrial images hidden within it suddenly take on wings, blossoming into new, vast meanings.
German legends collected by the Grimm brothers were a factor in the development of German nationalism in the nineteenth century. In this spirit of the Romantic period, the Germans took the legends monstrosity as model for good behavior. As a result, they embraced the Nazi regime, in a strict conspiracy of silence that enveloped the German society.
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